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Reduced Existence

Apologies that we haven’t posted anything on our blog since last November.  This pandemic has reduced our existence into little boxes, separate individual worlds where we are slowly losing our ability, and our willingness, to communicate and keep in touch with one another.   As an artist collective we get an enormous amount of support from meeting as a group and seeing each other’s work in progress.  But that has been denied to us for many months now and we are each trying to work away on our own with the odd Zoom meeting thrown in to keep us going.    

But all is not lost.  The additional time we now have at our disposal is being put to good use.  We are creating, experimenting, exploring new techniques, attending online courses and planning for the future.  We are working on an exhibition which will take place later this year (we hope) and we will share some more detail about it shortly.

In the meantime, here is some of Elaine’s work in progress.  Elaine is repurposing existing art pieces and also clothing and floor rugs to form something new – deconstructing, cutting, dying and stitching.   The results are very beautiful.

 

Broken Heart, Elaine Peden, element15       Broken Heart, Elaine Peden, element15

‘Broken Heart’, Elaine Peden

 

Hidden Garden, Elaine Peden, element15

‘Hidden Garden’, Elaine Peden

 

 

 

 

Hard to part with something so beautiful!

Congratulations to Elaine Peden on the sale of her wonderful felted wall hanging, ‘Wetlands, Aerial View’.  The piece was on display at the Kilteel St. Brigid’s Arts Weekend (3-5th February) and was snatched up on the opening night by someone who said ‘she really wanted to give it a good home’!  I am sure Elaine was pleased to hear that comment, as such a beautiful piece must be hard to let go after all the hours of labour.

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Elaine was inspired by the beauty of our natural river basins, the reflection of light on water and the moss green patterns that evolve from the reflected forest.  Elaine wishes to highlight the need to protect the water quality in our streams and rivers through this piece.

This work is very large, 61 x 25 inches, and makes a dramatic impact.

The foundation consists of two Corridale fibre layers and two layers of fine merino wool, dyed silk rods, silk hankies and silk throwsters waste.  It is embellished with sequins and lace.

There were a number of techniques used : wet felting, nuno felting with 3D elements using resists and later cut back.

Something glorious!

Two of our group, Marie and Elaine, had pieces of their work chosen to exhibit in ‘Kaleidoscope’, an exhibition held recently in the Botanic Gardens by the Irish Feltmakers Association and oh what glorious and colourful pieces they were!  We couldn’t resist showing you their work:

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This is ‘Carnival’ by Marie Dunne.

Marie was inspired by the movement and colours in a carnival when all the lights are on and everything is spinning around.  Most carnival rides are round and their spinning reminds Marie of a kaleidoscope with all the colours of nature exploding at once.

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This is a large piece, formed from two layers of felt.

The first layer consists of a layer of prefelt, two layers of very find merino wool into which circles of different sizes were laid to form raised pockets and then a layer of silk haboti was placed on top.  These elements were then wet felted together and hand stitched with rows of different braids and threads around the circles.

The top layer was made in the same way but without the raised circular pockets and then circles of various sizes were cut out by hand.  Both pieces were hand dyed and connected with a space between them to convey a sense of movement and shadow.

 

 

3993 Canon edited (410x1024)

This is ‘Aerial View ‘ by Elaine Peden

Elaine was inspired by the beauty of our natural river basins, the reflection of light on water and the colours and moss green patterns that evolve from the reflected forest.  Elaine wishes to highlight the need to protect the water quality in our streams and rivers through this piece.

This work is very large – 61 x 25 inches – and makes a dramatic impact.

The foundation consists of two Corridale fibre layers and two layers of fine merino wool, dyed silk rods, silk hankies and silk throwsters waste.  It is embellished with sequins and lace.

There were a number of techniques used : wet felting, nuno felting with 3D elements using resists and later cut back.